Arnold on Spreading the Joy

"I grew up on a farm in Foster, Rhode Island, or 'Fostah' as we call it. I dropped out of high school at 18 to work and was drafted to be in the war that same year. I was trained as Military Police (MP) up in Augusta, Maine. They had me guarding German soldiers in Fort Devens, Massachusetts. These were guys from the Africa core who were older and pretty calm because they weren't in the desert and no one was shooting at them anymore. After that, they sent me to Fort Edwards where I was guarding the young, tough Germans who were off of Normandy Beach. These were some serious guys. They would come over to me and fold a bottle cap in half with their hands just to show off. You try that sometime. It ain't easy. 

"Next, they sent me to Germany. I was an MP in Germany, which was a really dangerous job because about 75% of us got knocked off by sniper fire. A few weeks into my service, the war ended. When I heard, it didn't register. I couldn't believe it. One of the stories that really sticks with me from Germany was when we were patrolling an area and came across a house. We hadn't had a shower, hot meal, or decent shelter in weeks, so we took over the place and sent the lady living there to sleep in the barn. This woman had the same stature as my mother and took to me for some reason. She asked if she could wash my clothes and make me something to eat, so I let her do it. As we were leaving the house the next day, she took me by the hand over to a photo of her son who was about my age and wearing a Nazi uniform. She said in German, 'The war is over, but my son is not coming home.' We hugged and cried. In 1987, I went back to Germany with my wife to find that woman and say, 'thank you.' Turns out, a year before, she was killed in a traffic accident. I will never be able to tell her thank you. That always urinates me off. 

"When I finally got out of the service, I came back to Rhode Island. I got a job digging ditches, but  figured there was something better for me. I decided to finish high school and go to college at Pacific University in Portland, Oregon to study journalism. I got a job with the Evening Star in Washington as a news photographer in 1951. I covered everything in this town during my 13 years there. I got pictures of presidents, high society, criminals, you name it. I was a bachelor at the time and took all of the evening and weekend jobs. Went to parties that never quit with plenty of liquor and I danced with all of the high society people. 

"After my service here, I decided to go to seminary and be an Episcopal priest. That took me away from Washington to southern Maryland for 22 years. My community was all pig farmers. But after growing up on a farm and taking pictures in Washington, I could talk to anyone. When I retired, I came back to D.C. because I love it here. I am an avid swing dancer and love that there is dancing every night of the week here. I used to dance for three hours straight when I was younger. I would finish dancing with some gal and before I got to the side, there would be a different gal tapping me on the shoulder for another dance. Now that I am 84, I can't dance like I used to, but still think that it is important to spread the joy with my dancing when I can."

Thomas on Having it Real Bad for Drums and Dancing

"People think that I am African, but I have lived in Washington my whole life. My parents are from South Carolina and came up here in the early 40's. I grew up in a terrible neighborhood called Sursum Corda. I did a lot of dumb things as a kid. You know, I was hanging out with the wrong crowd. My Mom always said, 'If you hang with the wolves, you will howl.' It's true, but I didn't understand it at the time. Now, I tell that to my sons. I am blessed to say that I was never locked up. I have never been in trouble with the law. Getting in trouble with my parents, that's a different story. 

"I think that dancing and drumming really saved me from taking the wrong path. I started drumming when I was eight years old. I was playing football for the Boys Club when I heard this drumming coming from the basement of the Boys Club. I was immediately drawn to it. I escaped from practice to find the drumming class and stayed there with my helmet and shoulder pads on. I was mesmerized, and have been ever since. I started dancing a little later bit later. 

"All of the dancing we do at Meridian Hill Park is from West Africa. I have been dancing and teaching at the drum circle for 20 years now. It all started because one of the lead drummers, who I knew because we performed together, invited me to come out. There was dancing here before me, but not a lot of West African dancing. You know, a lot of people say that I sound and move like I am from Africa. I guess I can just mark the accent and movement so well. Sometimes the accent comes out and I don't even realize it. It's funny, one time I was performing and this guy from Guinea came over to me afterwards. He thought I was from Guinea, too, and neglecting our country by not dancing at the embassy and for 'our' people more. As he spoke, he got more excited and eventually starting cussing me out in his language. I said, 'Look man, I am not African.' He felt really embarrassed and apologized.

"I guess I just transform into someone different when I dance. It is like a spirit takes over me. One time, I was driving by the U.S. Capitol and they had the Zulu dancers performing. I was in the car with my wife and son. The drums captured me and I jumped out of the car while it was still moving to get to the music. My wife had to jump in the driver's seat and take control of the car. I guess I just have it real bad for drums and dancing. My wish in life is to go to Africa and dance my heart out in Senegal and Guinea.

"I would say to everyone, you need to come up to the park and join us on Sundays. Who needs to pay for a class when you can come and dance with me and the drummers for free. Trust me, you aren't going to find an experience like this anywhere else here."

You can find Thomas and the drum circle in the upper area of Meridian Hill Park on Sunday afternoons. 

Mark on the Dance of Days

"The first thing to say is that I knew about the D.C. punk scene long before I came here. I grew up in one of the most rural and economically depressed areas in Montana and punk gave me the awareness of possibilities outside of what I knew. I am very proud of where I come from and I learned a lot there, but at the time, it felt like hell to me. Punk music, starting with the New York scene and Patti Smith and then the London scene with Sex Pistols and The Clash, gave me a reason to live. These were young people, more or less my age, creating this angry music that was ultimately so full of life. They were not waiting for change, they were going to make it themselves. 

"Punk music helped me go to college. College was not one of those things that everybody did where I grew up. It was extremely optional. I wanted to study things that I believed in and become an activist. I wanted to change the world. That is why D.C. grabbed me. When I left college, I was very career oriented and came to Johns Hopkins School of Advanced International Studies. It was a pipeline into the establishment, for the better or worse. 

"I was from a small town, so coming here was very overwhelming. I had never seen homelessness or racial segregation, and it just tore my heart apart. My crisis became even more profound when I went to Central America in 1985. The poverty there was at a whole new level and there was an ongoing war where the U.S. was not playing a positive role. At school, I was being trained to be a mid-level functionary in this system that was supporting these policies. I knew that I could not go forward in the direction I had just spent tens of thousands of dollars for school. At the time, the only thing that made sense to me was the D.C. punk scene. It was about doing things yourself and having a positive mental attitude. So for the second time, punk rock revolutionized my life. 

"It was at that time that I thought that someone needed to write a book about the punk music scene here. It was an incredible story that mattered a lot to me. I get New York and London, but D.C. as a punk rock center, it seemed so unexpected. I wanted to share the story of how this happened. I started doing research in 1986 and the finished product came out in 2001. The D.C. punk scene and its continuing influence around the world is an astonishing an inspirational story. 

"Punk music is a chapter of D.C. that many people don't know about, but more people should. People think that this is a buttoned-up town where we only import culture. There is a part of that stereotype that is true, but D.C. played a huge role in punk and rock music and exporting a positive mental approach towards living and tackling problems to everyone who could hear our music. For people who don't like punk music, that is cool, but you should try and embrace the spirit. This is a city built out of big dreams and D.C. punk is just another amazing representation of that."

Mark Andersen is the author of Dance of Days: Two Decades of Punk in the Nation's Capital. He is also involved with We Are Family, which is a senior citizen support network.

David and John on Coming into the City

David - "I'm 17. I live in Montgomery Country, Maryland, but hang out in D.C. all of the time. As a kid, I came in with my parents to see the museums and stuff. When I got older, I started coming into the city on my own to hang out. I am a hip-hop dancer and play guitar in a rock band, so I perform here a lot. Coming from the suburbs, I really like spending time here because of the diversity of people and things to do. Sometimes I wish that I lived here. Even though it is kind of dirty in some places, that adds to the character. 

"There is so much going on here and I like that you can walk or take the metro everywhere. I think that social development and interaction is really important for kids, so the city is a great place to learn how to deal with all kinds of people. In the suburbs, it's not really like that. It is nice and clean, but a lot of the people there are kind of the same. When I am older, I would love to live in the city with my family. The only issue is making enough money to send my kids to good schools."

John - "I'm 18. I love the suburbs and don't think that I could survive living in the city. I like the open spaces and that everything is so accessible. I come in a lot to dance and hang out, but I like going back home at the end of the day. City kids always seem like they have more stuff to do, but they are all cramped up in apartments. Us suburban kids have more space, but we stay at home a lot and play video games because we can't walk anywhere. I am definitely going to raise my kids in the suburbs. It is really safe there and nothing bad can pretty much happens." 

David, left, and John, right, are members of the Ajnin Precizion dance crew.